Ostrannenie on "strangeness" and the moving image : the history, reception, and relevance of a concept
(eBook)
Contributors
Published
Amsterdam : Amsterdam University Press, c2010.
Physical Desc
278 pages : ill.
Status
More Details
Format
eBook
Language
English
Notes
Bibliography
Includes bibliographical references (p. 241-254) and indexes.
Description
Summary: Defamiliarisation or ostrannenie, the artistic technique of forcing the audience to see common things in an unfamiliar or strange way, in order to enhance perception of the familiar, ihas become one of the central concept of modern artistic practice, ranging over movements including Dada, postmodernism, epic theatre, and science fiction, as well as our response to arts. Coined by the Soviet literary critic Victor Shklovskii in 1917, ostrannenie has come to resonate deeply in film studies, where it entered into dialogue with the French philosopher Derrida's concept of differance, bordering on 'differing' and 'deferring'. Striking, provocative and incisive, the essays of the distinguished film scholars in this volume recall the range and depth of a concept that since 1917 changed the trajectory of theoretical inquiry.
Reproduction
Electronic reproduction. Ann Arbor, MI : ProQuest, 2015. Available via World Wide Web. Access may be limited to ProQuest affiliated libraries.
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Citations
APA Citation, 7th Edition (style guide)
Oever, A. v. d. (2010). Ostrannenie: on "strangeness" and the moving image : the history, reception, and relevance of a concept . Amsterdam University Press.
Chicago / Turabian - Author Date Citation, 17th Edition (style guide)Oever, Annie van den, 1957-. 2010. Ostrannenie: On "strangeness" and the Moving Image : The History, Reception, and Relevance of a Concept. Amsterdam University Press.
Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)Oever, Annie van den, 1957-. Ostrannenie: On "strangeness" and the Moving Image : The History, Reception, and Relevance of a Concept Amsterdam University Press, 2010.
MLA Citation, 9th Edition (style guide)Oever, Annie van den. Ostrannenie: On "strangeness" and the Moving Image : The History, Reception, and Relevance of a Concept Amsterdam University Press, 2010.
Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.
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Grouped Work ID
2315bd11-6183-9927-fae8-e8b7d4e4a182-eng
Grouping Information
| Grouped Work ID | 2315bd11-6183-9927-fae8-e8b7d4e4a182-eng |
|---|---|
| Full title | ostrannenie on strangeness and the moving image the history reception and relevance of a concept |
| Author | annie van den oever |
| Grouping Category | book |
| Last Update | 2022-06-07 21:23:19PM |
| Last Indexed | 2024-06-01 02:50:30AM |
Book Cover Information
| Image Source | default |
|---|---|
| First Loaded | Jul 13, 2022 |
| Last Used | May 20, 2024 |
Marc Record
| First Detected | Aug 09, 2021 12:13:10 PM |
|---|---|
| Last File Modification Time | Nov 22, 2021 07:59:59 AM |
MARC Record
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| 245 | 0 | 0 | |a Ostrannenie|h [eBook] :|b on "strangeness" and the moving image : the history, reception, and relevance of a concept /|c edited by Annie van den Oever. |
| 260 | |a Amsterdam :|b Amsterdam University Press,|c c2010. | ||
| 300 | |a 278 p. :|b ill. | ||
| 490 | 1 | |a The key debates ;|v 1 | |
| 504 | |a Includes bibliographical references (p. 241-254) and indexes. | ||
| 505 | 0 | |a pt. 1. Theory formation : Ostranenie, the avant-garde and the cinema of attractions -- pt. 2. Mutations and appropriations : alienation theories and terminologies -- pt. 3. Cognitive and evolutionary-cognitive approaches to Ostranenie : perception, cognitive gaps and cognitive schemes -- pt. 4. Discussions on Ostranenie, différance, and the uncanny. | |
| 520 | 8 | |a Summary: Defamiliarisation or ostrannenie, the artistic technique of forcing the audience to see common things in an unfamiliar or strange way, in order to enhance perception of the familiar, ihas become one of the central concept of modern artistic practice, ranging over movements including Dada, postmodernism, epic theatre, and science fiction, as well as our response to arts. Coined by the Soviet literary critic Victor Shklovskii in 1917, ostrannenie has come to resonate deeply in film studies, where it entered into dialogue with the French philosopher Derrida's concept of differance, bordering on 'differing' and 'deferring'. Striking, provocative and incisive, the essays of the distinguished film scholars in this volume recall the range and depth of a concept that since 1917 changed the trajectory of theoretical inquiry. | |
| 533 | |a Electronic reproduction. Ann Arbor, MI : ProQuest, 2015. Available via World Wide Web. Access may be limited to ProQuest affiliated libraries. | ||
| 650 | 0 | |a Motion pictures|x History. | |
| 655 | 4 | |a Electronic books. | |
| 700 | 1 | |a Oever, Annie van den,|d 1957- | |
| 710 | 2 | |a ProQuest (Firm) | |
| 830 | 0 | |a Key debates ;|v 1. | |
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| 856 | 4 | 0 | |u http://ebookcentral.proquest.com/lib/prescottcollege-ebooks/detail.action?docID=675650|x Prescott College|y Prescott College users click here to access |
| 856 | 4 | 0 | |u http://ebookcentral.proquest.com/lib/yln-ebooks/detail.action?docID=675650|x Yavapai Library Network|y All other users click here to access |
| 945 | |a E-Book | ||
